By combining salvaged needlework with text, images and ceramic
impressions, I am creating work that is both quilted art and textile archaeology.
Images of old crochet and lace are printed on found cloth along with
instructional text for making crochet and lace (the crochet abbreviations form
a kind of secret code). Remnants of the needlework are hand sewn onto their
printed images.
Textiles are fragile. At many archaeological sites, ceramic loom weights and
textile impressions in hardened clay are the only remaining evidence of ancient
cloth production – everything else disintegrated long ago. In recognition of
this history, I create ceramic impressions of needlework, which I have started
to include in my constructions.
My work is presented in the context of domestic usage: stretched on folding
frames (constructed from old wooden drying racks), sewn into modified sewing
boxes and lashed to the reconfigured legs of old wooden ironing boards.